EcLEC­TISM

when buildings refuse to pick one personality

WHAT IS ECLECTIC
ARCHITECTURE?

Eclecticism comes from the Greek eklektikos — meaning “to choose.”In architecture it refers to the intentional selection and combination of elements from multiple historical styles within a single architectural work. Rather than adhering to a unified formal language, eclectic architecture operates through reference, adaptation, and synthesis, drawing upon a broad archive of architectural history. Unlike vernacular hybridity or informal stylistic mixture, eclecticism is typically associated with academic training, historical awareness, and deliberate stylistic choice.


CONSTRUCTION
VS.
REPRESENTATION

Architecture always balances how it is built with what it looks like.

In eclectic buildings, modern materials and structural systems support forms and decorations drawn from historic styles. The building’s construction may be cutting-edge while its representation recalls tradition. This distinction highlights the tension between engineering function and symbolic meaning, where structure and style follow different logics but coexist in one object.

MODERNIST CRITIQUE
VS.
ECLECTISM

Modernism, emerging in the early twentieth century, asserts that architecture should express its own time through honesty in materials, clarity in structure, and functional simplicity.

Eclecticism, by contrast, treats architectural history as a rich archive to select and combine elements from multiple styles, embracing accumulation and contradiction. Where modernism demands unity and ideological clarity, eclecticism thrives on plurality and historical dialogue.

POLITICAL POWER
VS.
EXPRESSION

Architecture often functions as a tool to project authority and identity.

Eclectic buildings use historical references to convey political legitimacy and align with powerful traditions. Simultaneously, they serve as cultural texts that negotiate identity and hybrid exchange, reflecting complex social narratives beyond mere power.

Power and culture thus coexist and intersect in eclectic architecture’s layered meanings.

WHAT DOES IT LOOK LIKE?

THERE IS NO EXACT DEFINITION REALLY.

ROYAL PAVILION

Indo-Saracenic / Mughal Revival

Onion-shaped domes
Minaret-like towers
Indian and Islamic architectural references

Chinoiserie

Chinese-inspired interior motifs
Dragons and exotic imagery
Fantasy-based interpretation of Asian art

Islamic / Oriental

Horseshoe and cusped arches
Repetitive ornamental patterns
Decorative surface emphasis

Neoclassicism

Symmetrical composition
Formal axial layout
European palace organization

CASTELLO DI SAMMEZZANO

Orientalism

Exotic, fantasy-based design
Symbolic use of Eastern motifs

Moorish Revival

Horseshoe arches
Andalusian / Alhambra reference

Islamic Architecture

Geometric and vegetal ornament
Dense surface decoration

WOOLWORTH BUILDING

Neo-Gothic

Strong vertical emphasis
Pointed arches and tracery
Cathedral-like silhouette

Beaux-Arts

Monumental composition
Symmetry and formal organization
Rich interior decoration

Modern Technology

Steel-frame construction
Early skyscraper typology
Historic form applied to a modern function

SARAJEVO CITY HALL

Neo-Moorish

Horseshoe arches at entrances and windows
Polychrome façade
Alhambra-inspired ornamental patterns

Islamic Ornamentation

Geometric and vegetal ornament
Repetitive decorative motifs
Emphasis on surface decoration

Historicism

Symmetrical façade composition
Monumental civic scale
Revival and reinterpretation of past styles

ARCHITECTURE WITHOUT ONE RULE


Join us in NEWSELLER to explore architecture that refuses to follow just one tradition.


Join the movement. Inspire others.

Projekt autorstwa: Gonatrz Oliwia | Pracownia grafiki internetowej dr. inż. Grzegorz Grodner | Kierunek Grafika | Akademia WIT 2025-2026